Jesse Corwood is a 31-year-old man living with his mother in Portland, New York. Obsessed with music and driven by a desire to create, but lacking a thriving local scene, Jesse records numerous songs by himself, invents 17 fictional bands, and meticulously documents their imaginary stories in his notebooks. Jesse's plan works when Rolling Stone takes interest in his label, Portland Records, but he struggles to maintain the illusion when the magazine requests photos and interviews with the bands.

The basic story of a young criminal not quite living up to his won ideals of "not to give a damn" sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they've done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn't help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.

Annie Druce claims she is the heir to the Duke of Portland.

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Portland Bill is the lighthouse keeper at Guillemot Rock, alongside his two assistants Ross and Cromarty (and his small pet dog Dogger). Guillemot Rock lies offshore of the small village of McGuillycuddy. The village is so small it only has one shop and the shopkeeper takes on multiple jobs. The lighthouse is also subject to periodic inspections by Bill's superior, Inspector Ronaldsway. The lighthouse keepers have all sorts of adventures on both land and sea in this fondly remembered British children's animated series. The series takes a slightly unusual format with two stories per episode separated by a song.

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

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A place is an obelisk, reaching to the sky; down again to a point in the ground. Not a solid point, but a hesitant, mysterious one (some say always shifting). Ripples of life arch out from its base in unexpected ways. The obelisk series is an informal collecting of time and place haphazardly documented by two perambulating filmmakers.

《白发新时尚》（GRAY IS THE NEW BLONDE）是一部应运而生、鼓舞人心的纪录片。全球各地不同年龄、不同种族、不同社会经济背景的女性正纷纷主动选择放弃染发，欣然接受自己美丽的白发。她们不再愿意屈从于必须染掉白发才能变得有魅力、惹人喜爱这种过时观念。

Fashion faux pas, loving traps, racism - The French rising star of laughter, Fary analyzes the pitfalls of modern life and society with a lot of humor.